John Cage - In A Landscape (1948)
*
"Pinch"
by Lili Huston- Herterich
*
Frédéric Nakache
*
Ida Borg
*
The beaks would slide into your skin and dig out red treasures while your finger held the water or the swatter bashed the fly.
"Womb Peck"
by
Sarah Rose Etter
*
Anne-Claire Broc'h
*
Jérôme Icardo
*
Tate Foley
*
Tanja Lepschi
*
Thomas Albdorf
*
"WAR IS HELL"
by Matt Genz
*
Catherine Ryan
*
Mark Schaer
*
Consider the sack of oranges unsacking themselves and walking around like little round persons investigating the world along with the elaborate growls of its inhabitants. Chak felt Breop's buttery arms around her and smilingly returned her squeezing of her while Ftyd growled in his sleep at the elaborate plot to find the impressionable ants eating oranges and eventually hibernating in them as round sunly houses lumped sackly together.
"Sack of Oranges"
by
Darby Larson
*
Craig Schlewitz
*
Kenji Onglao
*
Lieko Shiga
*
"Digital ate the cassette tape"
by
Rosa Menkman
*
Roberto Osti
*
A cold baby.
A hope caught in the sucked body of a man.
Straw wrapped flannel in a field.
That is night.
That is night.
That is night.
"LUSUS NATURAE"
by
Feng Sun Chen
*
Jim McBeath
*
The first night she slept with the egg under her pillow, hugging. She woke with the huge toy in her mouth. Her chest felt funny and she could not remember sleeping. She later found the garage filled with an inch of liquid. The liquid stunk and had to be scraped out. The mother watched the father on his knees for hours scowling with the trowel.
from There Is No Year
by
Blake Butler
*
Geoffrey Farmer
*
HB Nam
*
Gustavo Peña
*
LA Vampires - "Make Me Over"
*
Julien Pacaud
*
He kissed her, plundering first her mouth, then her ear and the hollow of her throat
He ravaged her mouth with heady thrusts of his tongue, and when that no longer satisfied him, he swept his hands down her neck to shove her gown free of her shoulders so he could strafe her bared flesh with urgent, openmouthed caresses
from Brides
by Laura Mullen
*
Noa Charuvi
*
D. Billy
*
Trish Tillman
*
The Good Ones - "Sara"
*
Nathan Manuel
*
Bridget Sue Lambert
*
Instructions on how to build a net:
()—()—()—()—()—()
()—()—()—()—()—()
()—()—()—()—()—()
()—()—()—()—()—()
"Instructions on how to"
by
Francesca Chabrier
*
Small Black - "Bad Lover"
*
Emily Roz
*
Christian Henkel
*
Marie Aly
*
Marjolijn van der Meij
*
Boris Lyatoshynsky - Piano Sonata No. 1 Op. 13 (1924)
*
Conny Blom
*
Paul Kwo - "Baffled Dawning"
*
Shinsuke Aso
*
Lance Lankford
*
Hollis Brown Thornton
*
Cults - "Oh My God"
*
Discourses surrounding Snuff fiction are foremost concerned with the issue of authenticity, even though there is no known real Snuff film on which to base the tropes expected of these simulations. Clearly, these assumptions have been founded on discourses of cinema vérité, documentary realism and so forth. The methodologies of mediating and constructing portrayals of reality have become increasingly familiar to a mass audience since the mid-1990s due to the rise in what Eric Cazdyn refers to as "reality culture" (Cazdyn, 2002), where reality TV, surveillance footage, amateur porn, and home movies distributed via YouTube have become staples of popular visual entertainment. Faced with the ubiquity of reality in visual media, the pseudo-Snuff film has its work cut out in trying to appear "real."
Dying to be Seen: Snuff-Fiction's Problematic Fantasies of "Reality"
by
Steve Jones
*
Megan Diddie
*
Aleksandra Waliszewska
*
Luciano Scherer
*
Karen Constance
*
And if then the tyrants dare
Let them ride among you there,
Slash, and stab, and maim, and hew, -
What they like, that let them do.
Percy Bysshe Shelley - The Mask of Anarchy
*
Herbert Midgley - "Long Shadows of Candy"
*
"Pinch"
by Lili Huston- Herterich
*
Frédéric Nakache
*
Ida Borg
*
The beaks would slide into your skin and dig out red treasures while your finger held the water or the swatter bashed the fly.
"Womb Peck"
by
Sarah Rose Etter
*
Anne-Claire Broc'h
*
Jérôme Icardo
*
Tate Foley
*
Tanja Lepschi
*
Thomas Albdorf
*
"WAR IS HELL"
by Matt Genz
*
Catherine Ryan
*
Mark Schaer
*
Consider the sack of oranges unsacking themselves and walking around like little round persons investigating the world along with the elaborate growls of its inhabitants. Chak felt Breop's buttery arms around her and smilingly returned her squeezing of her while Ftyd growled in his sleep at the elaborate plot to find the impressionable ants eating oranges and eventually hibernating in them as round sunly houses lumped sackly together.
"Sack of Oranges"
by
Darby Larson
*
Craig Schlewitz
*
Kenji Onglao
*
Lieko Shiga
*
"Digital ate the cassette tape"
by
Rosa Menkman
*
Roberto Osti
*
A cold baby.
A hope caught in the sucked body of a man.
Straw wrapped flannel in a field.
That is night.
That is night.
That is night.
"LUSUS NATURAE"
by
Feng Sun Chen
*
Jim McBeath
*
The first night she slept with the egg under her pillow, hugging. She woke with the huge toy in her mouth. Her chest felt funny and she could not remember sleeping. She later found the garage filled with an inch of liquid. The liquid stunk and had to be scraped out. The mother watched the father on his knees for hours scowling with the trowel.
from There Is No Year
by
Blake Butler
*
Geoffrey Farmer
*
HB Nam
*
Gustavo Peña
*
LA Vampires - "Make Me Over"
*
Julien Pacaud
*
He kissed her, plundering first her mouth, then her ear and the hollow of her throat
He ravaged her mouth with heady thrusts of his tongue, and when that no longer satisfied him, he swept his hands down her neck to shove her gown free of her shoulders so he could strafe her bared flesh with urgent, openmouthed caresses
from Brides
by Laura Mullen
*
Noa Charuvi
*
D. Billy
*
Trish Tillman
*
The Good Ones - "Sara"
*
Nathan Manuel
*
Bridget Sue Lambert
*
Instructions on how to build a net:
()—()—()—()—()—()
()—()—()—()—()—()
()—()—()—()—()—()
()—()—()—()—()—()
"Instructions on how to"
by
Francesca Chabrier
*
Small Black - "Bad Lover"
*
Emily Roz
*
Christian Henkel
*
Marie Aly
*
Marjolijn van der Meij
*
Boris Lyatoshynsky - Piano Sonata No. 1 Op. 13 (1924)
*
Conny Blom
*
Paul Kwo - "Baffled Dawning"
*
Shinsuke Aso
*
Lance Lankford
*
Hollis Brown Thornton
*
Cults - "Oh My God"
*
Discourses surrounding Snuff fiction are foremost concerned with the issue of authenticity, even though there is no known real Snuff film on which to base the tropes expected of these simulations. Clearly, these assumptions have been founded on discourses of cinema vérité, documentary realism and so forth. The methodologies of mediating and constructing portrayals of reality have become increasingly familiar to a mass audience since the mid-1990s due to the rise in what Eric Cazdyn refers to as "reality culture" (Cazdyn, 2002), where reality TV, surveillance footage, amateur porn, and home movies distributed via YouTube have become staples of popular visual entertainment. Faced with the ubiquity of reality in visual media, the pseudo-Snuff film has its work cut out in trying to appear "real."
Dying to be Seen: Snuff-Fiction's Problematic Fantasies of "Reality"
by
Steve Jones
*
Megan Diddie
*
Aleksandra Waliszewska
*
Luciano Scherer
*
Karen Constance
*
And if then the tyrants dare
Let them ride among you there,
Slash, and stab, and maim, and hew, -
What they like, that let them do.
Percy Bysshe Shelley - The Mask of Anarchy
*
Herbert Midgley - "Long Shadows of Candy"
