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"volume of the of a the of a and the of a and the of the and of and of the of and of the and of the from an from a the from a of the from the of the of the from a of the and of a the of the an and a volume of in of in of of of in the volume of of..."
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Natalie Elizabeth Stevens lives and works in Brooklyn:
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Olaibi (from 00100) Live in Osaka
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Richard Colman was born in 1976 and grew up in leafy Bethesda, Maryland, a suburb of Washington, D.C.:
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Baroness - "Isak"
Recorded live at Visions Festival Köln Germany 02.16.08
Recorded live at Visions Festival Köln Germany 02.16.08
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Nicola Verlato was born in Verona, Italy, and now lives and works in Brooklyn:
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Nico Muhly & Nadia Sirota at Cafe Carlyle NYC 12/10/08
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Natalia Fabia's new solo show is called "Hooker DreamEscape":
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"All tomorrow I sneeze Flintstones Vitamins wrapped in fur. My wrecked circulation, so many veins the light, now blue, chaws inside a mother sound fainting forward."
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Noah Davis lives and works in Los Angeles:
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"But in the 1960s there was a veritable explosion of non-linearity. Julio Cortázar's novel Hopscotch, published in 1963, is the best known novel to play with the form: Hopscotch presents one story when the first 56 chapters are read straight through, and another, slightly different story when the chapters are interleaved by the reader with the "expendable chapters" at the end of the book. This process is repeated in miniature in chapter 34 of the book, where the main character is reading an old novel and thinking about what he's reading at the same time."
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Christian Maychack, MFA, Studio Arts, SFSU:
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Kidstreeet - "Penny Candy"
directed by: Angus McLellan
directed by: Angus McLellan
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"deLanda: I agree that the domination of this century by linguistics and semiotics (which is what allows us to reduce everything to talk of "frameworks of interpretation"), not to mention the post-colonial guilt of so many white intellectuals which forces them to give equal weight to any other culture's belief system, has had a very damaging effect, even on art."
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Deerhoof - "Rainbow Silhouette of the Milky Rain"
(Live @ Juan's Basement 2008)
(Live @ Juan's Basement 2008)
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South Korean artist Hasisi Park:
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"The children’s eyes made prisms. The rugthump punctured their voices as if they had been thrown down long windowed halls."
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from Andrew Bush's "Speech Acts" project:
Jacques Derrida's room of his published books in his home in Ris Orange, France, 2001
John Searle's room of his published books in his home in Berkeley, CA, 2000*
they were devoted to that impossible concept of futurity
\that the future is something that the present must address
\that the present must legislate the future
[[the avant garde] as an extreme contract with that which will be.]
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Jordaan Mason & The Horse Museum - Song Never Sung
at The Boat in Toronto, ON 11/13/08
at The Boat in Toronto, ON 11/13/08
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Sculpture by Norwegian artist Heidi Johansen:
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Klaus Nomi: "Samson and Delilah (Aria) Mon coeur s'ouvre a ta voix"
"Toward the end of the show, the lights dimmed and the room was filled with a thundering musical ovation. The curtains opened and the spotlight fell on a strange, unearthly presence wearing a black gown, clear plastic cape, and white gloves. As the orchestral refrain from Saint-Saens' 'Samson And Delila' was played, this strange Weimar version of Mickey Mouse began singing in an angelic voice. "I still get goose pimples when I think about it," remembers Joey Arias, who was in the audience that night. "Everyone became completely quite until it was over."
(from Steven Hager, Art After Midnight: The East Village Scene, 1986)
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Los Angeles artist Victoria Reynolds:
