Wednesday, August 18, 2010

key to our exponential trajectory



Jessica Hans





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"Whatever wrong is inflicted upon him, the poet describes as an ‘empty act’ and a ‘lie’, expressing a feeling of betrayal caused by his external surroundings. Nevertheless, he desires for the heaviness of the pain to be dispersed by the waves and to dissolve in the oceanic depths which he describes as the ‘reaches of the vague’. Speaking of such an unfathomable environment in which no human life can possibly survive, the poet alludes to the penetrating nature of the watery depths melting the concreteness of his pain (‘in which all the real dissolves’). Epitomising the agonistic attitude, he does not seem to express any intention of leaving the abyssal space where his pain is to be diffused."

The Avant-garde as Ideological Movement and Psychic State



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Junichi Sakamoto








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Luciano Chessa performs Cangiullo's Piedigrotta





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Jared Boger








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Nicholas Gottlund









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Marc Tallec's "Disparition"









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Michael Kenna






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Marlon Kowalski





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"Protein synthesis: an epic on the cellular level"
Directed in 1971 by Robert Alan Weiss for the Department of Chemistry of Stanford University





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"Language as material, language as process, language as something to be shoveled into a machine and spread across pages, only to be discarded and recycled once again. Language as junk, language as detritus. Nutritionless language, meaningless language, unloved language, entartete sprache, everyday speech, illegibility, unreadability, machinistic repetition. Obsessive archiving & cataloging, the debased language of media & advertising; language more concerned with quantity than quality. How much did you say that paragraph weighed?"

Conceptual Poetics
by
Kenneth Goldsmith



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Claire Watkins





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M.I.A. - "Born Free" Live on Letterman





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Fernando Mastrangelo





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Chad Stayrook





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Leandro Erlich





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Saskia Edens - Make-up 2008





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Sarah Applebaum












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"What unfolded in the next two hours was unlike anything either one of us had ever witnessed. It wasn't just insane, it was incomprehensible. And it wasn't just bad, it went to the point of defining pretension. And that's when I knew how to classify a truly "bad" film: It was a film that was a disaster on all levels but had the notion of being a masterpiece. And once it has been deconstructed, it clear that Robert Altman thought that he had produced and directed the best film ever made."

The Worst Film Ever Made?





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Victor Castillo





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You are stuffing doves into burlap bags. Three doves sport bicycle tattoos. Five doves wear bowler hats. Seven doves trill through red clown’s lips instead of appropriately pequeno beaks. One dove never stops winking at you. Once, you paused to scratch with a missing finger. What algebraic relationship moved you to bestow on mundane pigeons the halos of peace and other faux debris from trawling old memories of a desire-ridden imagination that would come to plummet into ruin?

from ORPHANED ALGEBRA
by
Eileen R. Tabios



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Katie West








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Olaf Breuning











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Jasper Griepink






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Renaldo and the Loaf - Songs For Swinging Larvae (1981)

[beautiful-schizo-experimental-razzmatazz]