Flesh Morphing by Dietrik Klomberg
*
Christian Breitkreutz
*
Animal Core
*
My nails are a reminder of difficult times. My fingers worry over their own disuse. My hands do not know what to do. My wrists feel tight. My forearms rest heavy. My elbows are bony knobs on this desk. My shoulders hunch. My neck hurts. My throat hurts. My eyes hurt.
"MY HOUSE IS FILLED WITH FLOWERS. THE WALLS ARE BARE."
by
Molly Gaudry
*
Marc Torrent
*
Mark Leidner, An Ounce of Cruelty
*
Bearmod - "Put It On Ya"
*
bl pawelek
*
Goddamn Electric Bill - "Lost In The Zoo"
*
Kate Clark
*
Laura Splan
*
Oct 29
asperger's-y grocery checkoutboy advised me to "slow down & enjoy the 10 cents you saved using your kroger plus card on this soy sauce sale"
SELECTIONS FROM BLAKE BUTLER'S TWITTER ACCOUNT
BY BLAKE BUTLER, EDITED BY TAO LIN
*
Alfred Kubin
*
David Byrne / Jeff Koons 52 Bond St /Summer 1975
*
Gideon Rubin
*
Mitsuko Nagone
*
Winston Chmielinski
*
"Hobo Clown" (2008)
by Allison Schulnik
*
Lu Cong
*
Shana Moulton - "Mountain Where Everything Upside Down"
*
Pablo Alonso Alonso
*
Jann Averwerser
*
Tony Orrico
*
Barbara Hast
*
The success, even the survival, of the arts has come increasingly to depend on their ability to defeat theatre.
...
Art degenerates as it approaches the condition of theatre.
...
The concepts of quality and value-and to the extent that these are central to art, the concept of art itself-are meaningful, or wholly meaningful, only within the individual arts. What lies between the arts is theatre.
“Art and Objecthood”
by
Michael Fried
*
Satoko Kako
*
Three by OH-SEOK KWON
"schere"
"my room"
"BRUECKENHAUS"
*
Bo Christian Larsson
*
Kaori Nakajima
*
Fumie Sasabuchi
*
REMEMBER REMEMBER - "Imagining Things"
directed by Gregor Barclay
*
Martin Hast
*
Intermission sound collage created by David Harrington and Calvin Ll. Jones. Constructed from field recordings by Wu Man, Chen Shi-Zheng, Gregory Dubinsky, and Jeremy Cowperthwaite, and additional sources
*
Art is a history of doing nothing and a long tale of useful action. It is always a fetishization of decision and indecision—with each mark, structure, and engagement. What is the good of this work? The question contains a challenge to contemporary practitioners—or “current artists,” a term I will use, as contemporary art no longer accounts for what is being made—that is connected more to what we have all become than to what we might propose, represent, or fail to achieve. The challenge is the supposition that artists today—whether they like it or not—have fallen into a trap that is pre-determined by their existence within a regime that is centered on a rampant capitalization of the mind.
"The Good of Work"
by
Liam Gillick
*
Taiyo Kimura
*
Robert Longo
*
end with a waker walking out more awake. It could require a long long reality spoon to reach a long long time ago, or a multidimensional long-reach-reality stapler, but then again, some of the parts might jelly, and it’s hard to staple together jelly parts. This is how you will know it’s time to go. Stretched into
A REAL GONER
by
Eric Ellingsen
*
Anna Taratiel
*
Vicky Leandros - "Noch einmal"
*
Christian Breitkreutz
*
Animal Core
*
My nails are a reminder of difficult times. My fingers worry over their own disuse. My hands do not know what to do. My wrists feel tight. My forearms rest heavy. My elbows are bony knobs on this desk. My shoulders hunch. My neck hurts. My throat hurts. My eyes hurt.
"MY HOUSE IS FILLED WITH FLOWERS. THE WALLS ARE BARE."
by
Molly Gaudry
*
Marc Torrent
*
Mark Leidner, An Ounce of Cruelty*
Bearmod - "Put It On Ya"
*
bl pawelek
*
Goddamn Electric Bill - "Lost In The Zoo"
*
Kate Clark
*
Laura Splan
*
Oct 29
asperger's-y grocery checkoutboy advised me to "slow down & enjoy the 10 cents you saved using your kroger plus card on this soy sauce sale"
SELECTIONS FROM BLAKE BUTLER'S TWITTER ACCOUNT
BY BLAKE BUTLER, EDITED BY TAO LIN
*
Alfred Kubin
*
David Byrne / Jeff Koons 52 Bond St /Summer 1975
*
Gideon Rubin
*
Mitsuko Nagone
*
Winston Chmielinski
*
"Hobo Clown" (2008)
by Allison Schulnik
*
Lu Cong
*
Shana Moulton - "Mountain Where Everything Upside Down"
*
Pablo Alonso Alonso
*
Jann Averwerser
*
Tony Orrico
*
Barbara Hast
*
The success, even the survival, of the arts has come increasingly to depend on their ability to defeat theatre.
...
Art degenerates as it approaches the condition of theatre.
...
The concepts of quality and value-and to the extent that these are central to art, the concept of art itself-are meaningful, or wholly meaningful, only within the individual arts. What lies between the arts is theatre.
“Art and Objecthood”
by
Michael Fried
*
Satoko Kako
*
Three by OH-SEOK KWON
"schere"
"my room"
"BRUECKENHAUS"
*
Bo Christian Larsson
*
Kaori Nakajima
*
Fumie Sasabuchi
*
REMEMBER REMEMBER - "Imagining Things"
directed by Gregor Barclay
*
Martin Hast
*
Intermission sound collage created by David Harrington and Calvin Ll. Jones. Constructed from field recordings by Wu Man, Chen Shi-Zheng, Gregory Dubinsky, and Jeremy Cowperthwaite, and additional sources
*
Art is a history of doing nothing and a long tale of useful action. It is always a fetishization of decision and indecision—with each mark, structure, and engagement. What is the good of this work? The question contains a challenge to contemporary practitioners—or “current artists,” a term I will use, as contemporary art no longer accounts for what is being made—that is connected more to what we have all become than to what we might propose, represent, or fail to achieve. The challenge is the supposition that artists today—whether they like it or not—have fallen into a trap that is pre-determined by their existence within a regime that is centered on a rampant capitalization of the mind.
"The Good of Work"
by
Liam Gillick
*
Taiyo Kimura
*
Robert Longo
*
end with a waker walking out more awake. It could require a long long reality spoon to reach a long long time ago, or a multidimensional long-reach-reality stapler, but then again, some of the parts might jelly, and it’s hard to staple together jelly parts. This is how you will know it’s time to go. Stretched into
A REAL GONER
by
Eric Ellingsen
*
Anna Taratiel
*
Vicky Leandros - "Noch einmal"
