Lilly Piri
*
Matt Cipov
*
"Hand Dance"
directed by Jonny Reed
*
Heike Kabisch
*
"And so I understood finally why I have always hated traditional literary theory: because it makes the piece of literature a dead moth pinned to the wall for Theory’s careful study. This makes the literary work a non-dynamic object of study while placing the theoretical model in the privileged position of dynamic analytic tool. It strikes me that reading a poem or story about a thing or event is a way of knowing that thing or event, just as applying Marxist theory to it is a way of knowing and elucidating it. I am not some post-theory advocate, and I am not so naïve as to think my own position is not just another literary theory of sorts—just one that equally privileges the literary work and process as the theoretical ones—but I do believe it is the more useful and more accurate model. Fredric Jameson has taught us invaluable things about how the world works, and so has Russell Banks."
"Wrestling the Octopus: William T. Vollmann’s Imperial and Biopolitics; or: Rethinking Literary Theory; or: Early Directions in Vollmann Studies"
by
Okla Elliott
*
Written in Blood - compiled by Nate Ashley
"Covering 5 decades of haunting soundtrack music with over 100 songs! 10 years in the making, this 5 disc set includes never before released music and classic themes ranging from Ennio Morricone to Johan Soderqvist."
*
Eden Veaudry
*
Mona Kuhn
*
Paul Mpagi Sepuya
*
Lori Nix
*
JF Julian
*
Philip Corner - Piano Work (1970)
{genre: Muffled Cacophony, Destruction Sounds}
*
Michael Willis
*
"EYE: The bark of apotheosized trees shadows wormy verse but the rain makes organized poetry's clock tick. The banks filled with medicated cotton-wool. String man supported by blisters like you and like all others. To the porcelain flower play us chastity on your violin, 0 cherry tree, death is so quick and cooks over the bituminous coal of the trombone capital."
THE GAS HEART
by
Tristan Tzara
*
Herr Müller
*
Buddy Nestor
*
Die Antwoord - Evil Boy
directed by NINJA & Rob Malpage
{thanks, Ken}
*
Michaela Colette
*
"In his introduction, Cage talks about the difficulty of initiating the creative process, while exploring the usefulness of improvisation, a subject about which he had long been deeply ambivalent. He proposes a collaborative framework in which sound engineers capture and subsequently layer his extemporized monologue, which consisted of ten brief commentaries on topics then of interest. This amounted to an experiment having to do with thinking in public, before a live audience."
How To Get Started
by
John Cage
*
Jan Christensen
*
Tommy Agriodimas
*
Johan Rosenmunthe
*
Warwick Saint
*
Hugh Lippe
*
Sharks have eyelids, but they have no tears.
They can’t even blink.
They can’t look away.
"I Am A Murderer Because I Kill Time"
by
Cassandra Troyan
*
Diary by Carl Kleiner
*
Jonathan Bartlett
*
Mariam Sitchinava
*
Michael Swaney
*
"Bart the General 3" (Part I)
[part II & III]
*
"The machine is in the garden and all the centaurs are in trouble. I decided to leave the water running so the room would cool off. The fan was broken and the windows were already open."
"Comfort"
by
Annie Raab
*
Clark Goolsby
*
Andreas Holzknecht
*
A film short by Wong Kar-Wai and Wiliam Chang Suk Ping
*
+The+Empty+Foxhole.jpg)
Ornette Coleman - The Empty Foxhole (1966)
{thanks, Matthew}
*
Matt Cipov
*
"Hand Dance"
directed by Jonny Reed
*
Heike Kabisch
*
"And so I understood finally why I have always hated traditional literary theory: because it makes the piece of literature a dead moth pinned to the wall for Theory’s careful study. This makes the literary work a non-dynamic object of study while placing the theoretical model in the privileged position of dynamic analytic tool. It strikes me that reading a poem or story about a thing or event is a way of knowing that thing or event, just as applying Marxist theory to it is a way of knowing and elucidating it. I am not some post-theory advocate, and I am not so naïve as to think my own position is not just another literary theory of sorts—just one that equally privileges the literary work and process as the theoretical ones—but I do believe it is the more useful and more accurate model. Fredric Jameson has taught us invaluable things about how the world works, and so has Russell Banks."
"Wrestling the Octopus: William T. Vollmann’s Imperial and Biopolitics; or: Rethinking Literary Theory; or: Early Directions in Vollmann Studies"
by
Okla Elliott
*
Written in Blood - compiled by Nate Ashley"Covering 5 decades of haunting soundtrack music with over 100 songs! 10 years in the making, this 5 disc set includes never before released music and classic themes ranging from Ennio Morricone to Johan Soderqvist."
*
Eden Veaudry
*
Mona Kuhn
*
Paul Mpagi Sepuya
*
Lori Nix
*
JF Julian
*
Philip Corner - Piano Work (1970){genre: Muffled Cacophony, Destruction Sounds}
*
Michael Willis
*
"EYE: The bark of apotheosized trees shadows wormy verse but the rain makes organized poetry's clock tick. The banks filled with medicated cotton-wool. String man supported by blisters like you and like all others. To the porcelain flower play us chastity on your violin, 0 cherry tree, death is so quick and cooks over the bituminous coal of the trombone capital."
THE GAS HEART
by
Tristan Tzara
*
Herr Müller
*
Buddy Nestor
*
Die Antwoord - Evil Boy
directed by NINJA & Rob Malpage
{thanks, Ken}
*
Michaela Colette
*
"In his introduction, Cage talks about the difficulty of initiating the creative process, while exploring the usefulness of improvisation, a subject about which he had long been deeply ambivalent. He proposes a collaborative framework in which sound engineers capture and subsequently layer his extemporized monologue, which consisted of ten brief commentaries on topics then of interest. This amounted to an experiment having to do with thinking in public, before a live audience."
How To Get Started
by
John Cage
*
Jan Christensen
*
Tommy Agriodimas
*
Johan Rosenmunthe
*
Warwick Saint
*
Hugh Lippe
*
Sharks have eyelids, but they have no tears.
They can’t even blink.
They can’t look away.
"I Am A Murderer Because I Kill Time"
by
Cassandra Troyan
*
Diary by Carl Kleiner
*
Jonathan Bartlett
*
Mariam Sitchinava
*
Michael Swaney
*
"Bart the General 3" (Part I)
[part II & III]
*
"The machine is in the garden and all the centaurs are in trouble. I decided to leave the water running so the room would cool off. The fan was broken and the windows were already open."
"Comfort"
by
Annie Raab
*
Clark Goolsby
*
Andreas Holzknecht
*
A film short by Wong Kar-Wai and Wiliam Chang Suk Ping
*
Ornette Coleman - The Empty Foxhole (1966){thanks, Matthew}
