Okkulte Stimmen - Mediale Musik: Recordings of Unseen Intelligences 1905-2007{genre: Seance, Possession, Exorcism}
*
Two from Andrew Pekler's album
Entanglements In An Orthopedic Sensorium (2009)
"Waltz For Minor Planets"
"Cloud Control"
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Craig Hawkins
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concern not for the corpse or ; the depths of the savage apparition ; but more for the way ; you asked if I ; wanted four or 12 chicken nuggets ; or which sauce I wanted to go with that ; your voice sounded wheezy & polyped ; &
"Downstairs Red Rooster Bourke Street Mall"
by
S.J. Christmass
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Ana Kras
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Lina Scheynius
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"On puppets, where the strings attach. From this dangle the means to drag and lift, to pull each our tiny burdens, onward through the murk, up and down the ridges of mountains. How it spans, even in death, a suspension bridge."
"On Clavicles"
by
Andrea Applebee
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Gabriela Vanga
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Alexandra Croitoru
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Zach Bruce
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Mikey Baratta
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Mathew Foster
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Jackie Young
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"Samuel L Jackson"
written by Fannie Sosa
clip by Fannie Sosa
with Mosha Keat, India Banks, Nikki Waters, Winnie L'Ourson, Fannie Sosa
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MAGIC BEACH - MAGIC BEACH (Black Mantra, 2010){genre: Tropical Witchcore, Hauntological Daydream}
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Daniela von Hoerschelmann
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As readers of Hegel and Marx, we understand that the dialectic is a proven means of thinking difference, in that by tracing its movement, “difference finds its own concept in the posited contradiction.” As readers of Deleuze, however, we also know that a “philosophy of difference” refuses a concept of the dialectic that is founded by contradiction, because this method fails to ground a species of difference that is “in itself,” and “the negative and negativity do not even capture the phenomenon of difference, only its phantom or epiphenomenon.”
"Deleuze and the “Dialectic” (a.k.a. Marx and Hegel)"
by
Gregg Lambert
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Antonio Santin
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Helen Korpak
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Bruno Perillo
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Schwarzland Lund
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Damien Deroubaix
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Charlotte Ballesteros + Hubert Marot
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Marek Wykowski
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Maximus Chatsky
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Tim Enthoven
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DJ O-Face Presents: Jay Bells (Jay-Z vs. Sleigh Bells)*
Ashkan Honarvar
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Caribou - "Sun"
directed by Simon Owens
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Petrit Halilaj
*
Dave Eggers
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Anya Marina - "Whatever You Like"
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"It is absurd to have a hard-and-fast rule about what one should read and what one shouldn’t. More than half of modern culture depends on what one shouldn’t read."
Oscar Wilde Assembly
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Freelance Whales – Weathervanes (2010){genre: Electro-Dreamcore, Choral Bubbledrone}
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El-P - "Weareallgoingtoburninhellmegamixxx3" (2010){genre: Beatdump Bricolage}
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I vomited, I did a thing,
I, axiom, is stuck in—
I walled like a fence myself small—
shy asteroids leaving sour milk trails
"Earth"
by
Russell Jaffe
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Nick V. DeMarco
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Anthony Cudahy
*
Alessandro Echevarria
*
Nick Gazin
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Inés Estrada
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Julia Gfrörer
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MNDR - "Fade To Black"
Live on Fearless Music
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Chris Kuzma
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Koren Shadmi
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Natali (Koromoto) Martinez
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Ginette Lapalme
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Patrick Kyle
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Carly Elizabeth Schmitt
*
Victor Boullet
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tonight it feels so very nice to hunt alone
i might be very drunk and stoned right now
i think i am writing this because i have no one i want to talk to at this very
moment
"when a ship hits an iceberg you have two choices: flee to the life raft or let
the icy oceans take you with them"
by
Kendra Grant Malone
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oOoOO / oOoOO EP (2010) {genre: Exquisite}
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7. Japanese noise, in both its successes and failures, is best understood as the byproduct of what Adorno named identity thinking. Identity thinking approaches an object and applies the terms red, shiny, edible, sweet, fruit, and priced at seventy-five cents, classifies it according to these attributes, and ultimately subsumes these qualities under the concept of "apple." The actual thing, as a concrete, specific, and particular entity, is seen as nothing more than an example of the concept of apple, and I relate to it as sum of its apple-esque predicates. Our knowledge of the thing extends only as far as we can standardize it with its kind, and therefore the possibility of encountering a genuine individual, something more than merely an example of a concept, is lost.
"Why Hardcore Goes Soft:
Adorno, Japanese Noise, and the Extirpation of Dissonance"
by
Nicholas J. Smith
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Baths — Cerulean (Anticon, 2010){genre: Glitchwave, NextGen Experimental Zefhop}
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§ - TIMES 3 feat.☾∧† ◯
