Wednesday, January 13, 2010

Special Edition: The Marvin K. Mooney Society



Seems like everywhere I turn lately I read something or hear something about this mysterious writer called Marvin K. Mooney. I read (and loved) his piece at Abjective, then got an email last night pointing me to this piece at For Every Year, which seems to be written in a pirate vernacular.

The email was from The Marvin K. Mooney Society.

I highly suggest checking it out.

Since it peaked my interest, I did a little research and found this very awkward 1996 New York Times interview with Mooney. Here are a few choice snippets from that interview:



Interviewer: Let's begin with the origin of your name.

Marvin K. Mooney: I don't want to discuss my name.

Interviewer: That's too bad. I think readers would be interested to learn how you came to be named after a character in a Dr. Seuss book.

Marvin K. Mooney: I'm not interested in what readers might be interested in.


***


Interviewer: Some accuse your work of being purposefully difficult, overtly opaque, and ultimately disconnected from the human experience. How would you respond to those allegations?

Marvin K. Mooney: Who do you mean by “some”?

Interviewer: Well, I suppose I mean those in the literary community.

Marvin K. Mooney: What literary community?

Interviewer: Readers of books, academics, intellectuals, book reviewers, critics and the like.

Marvin K. Mooney: Well, I suppose if they’re right then my work is a triumph beyond anything anyone has ever seen before.

Interviewer: How so?

Marvin K. Mooney: Think about it. A human being capable of creating something disconnected from the human experience? That’s unparalleled.


***


Interviewer: Are you interested in notoriety?

Marvin K. Mooney: What do you mean?

Interviewer: As a writer, do you think about posterity, whether or not your work will be remembered or forgotten in a thousand years?

Marvin K. Mooney: I want to be famous or I want to be forgotten. That is what it means to be an American. Mediocrity is utterly unacceptable. Extremity is the only viable ontology remaining.


***


Interviewer: Who are you influences?

Marvin K. Mooney: My mother, my father, and Phil Collins.


***


Other than that interview, I couldn't find very much else about him. It doesn't seem like he's published any books, although the email I got last night suggested that a collection of his work was forthcoming -- but it didn't say when or by what publisher. Also, there's no Wikipedia entry for him, and when I Googled him all I got back was a bunch of Dr. Seuss links.

Wednesday, January 06, 2010

Mina, Nippa, Opsy, Poll



Comic book critic Douglas Wolk explains the concepts in Kant's Critique of Aesthetic Judgment using comics:





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German artist Claudia Rogge:








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Sewn collages by Angelika J. Trojmarski:








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Thomas Prior
lives in Brooklyn:








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American artist Marlo Meekins:








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Jason Lahr received his M.F.A. in drawing and painting from Penn State:








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Danielle Adair is an artist living in Los Angeles:








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Lang Lang Gone Mad



[thanks Darby]




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from Carlo Van De Roer's "Aura portrait Machine" series:








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Heide Fasnacht
lives in new York:








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New work from Japanese artist Hiroshi Sugimoto:








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Swiss photographer Hans Gissinger :








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Jim Woodring
lives in Seattle:







Wednesday, December 30, 2009

like rumour rhean round the planets

Miike Snow - "Silvia"
directed by Marcus Söderlund






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Steven Beckly (b. 1981) is a photographer living and working in Toronto, Canada:








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"Landscapes" by Jeffrey Beauchamp:














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One-man-band Scott Dunbar performs Michael Jackson’s “Billie Jean” in Montreal






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Check out Michael Jacobson's fantastic website called The New Post-literate: A Gallery Of Asemic Writing, where he showcases artists such as:

Gary Barwin


Marco Giovenale


Cecil Touchon




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Australian photographer Ed Purnomo:











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American photographer Jack Radcliffe:











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David Holzman's Diary (1967)
Directed by Jim McBride

[part one of many]






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BKL: In your book, you write that Warhol had a philosophical mind. How so?

DANTO: Because of the way he thought, he went for the limits of a concept more than other any artist I know of. And that always seemed to me to be a philosophical way of thinking. That is to say, thinking about examples that nobody would ordinarily think of, and suddenly bringing the whole contour of a concept to consciousness, much like Plato in Socrates’ dialogues, in which subjects were discussed that just wouldn’t occur to most people. Warhol did that with the Brillo boxes, with the Campbell’s Soup cans, and with his movies. Let’s just go with things, all the way, he says, as though he was really trying to clarify an idea for everybody. It was quite daring, I thought.





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Olafur Eliasson
lives in Copenhagen and Berlin:











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Jee Hwang
earned an MFA at the Pratt Institute:








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Dirty Hands: The Art & Crimes of David Choe
the official trailer






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from Pieter Hugo's "Nollywood" series:











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First thing on the list: “Look at cat pictures.” Last thing on the list: “Climb him often.”

"Reading List" by Miranda July



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Check out This Los Angeles...example:

Daniel, Mindy and Wyeth






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"What you are asking me to do is not just change a work of fiction. You are asking me to make it over from a work of art into a story. My work may be ugly but it's not cheap. I take it hard and I'm damned if I'll do it."





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Italian artist Valeria Priano:








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Abbey Drucker
has a studio in New York:











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Australian photographer Toby Burrows:








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Brooke Shaden
is a fine art photographer based in Los Angeles:








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Katja Hentschel
is based in London and Berlin:











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Grizzly Bear - "Ready, Able"
directed by Allison Schulnik